Space is limited to 50 seats and tickets are available on a first come, first served basis. Learn more about Pause, here.
Performances will take place from 10-11 AM and 6-7 PM on February 17; and from 1-2 PM on February 18.
Please note: additional performances will take place on February 24 and 25.
These performances are free for students; $10 for Members; $15 for non-members.
Location: MCASD Downtown, 1001 Kettner, San Diego, CA
Please be advised that these performances contain partial nudity.
To purchase tickets, visit the MCASD web site.
Through exercises in seeing/ relationship/stillness/being a pig/ and repetition, we will arrive, in a village atmosphere, in a co-choreographed dance.
“My work relies on the persistent presence of the questions, rendering useless a reliance on memory and anticipation.” -Deborah Hay
April 23-May 3, 2018
Mon-Fri & Sun-Th
15 mature performers
Applications open Nov. 16, 2017 until Feb 19, 2018
Applicants will be notified by March 1, 2018.
Tuition due in full by March 9, 2018
For information and registration contact:
TENACITY OF SPACE, Premiere: 24 March 2017, DE (future performances Feb/Mar 2018 in HAU Theater, Berlin)
© Dorothea Tuch
Choreography and Direction: Deborah Hay
With artistic support from Jeanine Durning and Ros Warby
In collaboration with Ty Boomershine, Amancio Gonzalez, Brit Rodemund, Christopher Roman and Jone San Martin
Artistic Direction DANCE ON ENSEMBLE: Christopher Roman
Dance is my form of political activism. It is not how I dance or why I dance. It is that I dance.The Tenacity of Space represents a catastrophic loss of learned dance behavior. Rather than rely on their physical bodies and what they can do, the DANCE ON quintet was encouraged to relentlessly notice everything in their visual field to support their moving bodies. “Immensity is within ourselves. It is attached to a sort of expansion of being that life curbs and caution arrests…” (Gaston Bachelard, Poetics of Space)
Recognizable movement is not an element in my work. Instead I create conditions that are intended give rise to an atmosphere of indefinable logic for both the dancer and the audience. What keeps me interested in Tenacity of Space is what I cannot name or point to in watching how the DANCE ON ENSEMBLE responds to my choreography.
Tenacity of Space is a phrase I found while reading Harvest, a recent Jim Crace novel. It was my second reading of the book and I turned to it during my five weeks with the ensemble. The phrase leapt out perhaps because of two particular issues in the news, one being Trump’s ascension to power and the other being the Syrian Diaspora. During my second week with the dancers I felt a need to somehow reference these disempowering world conditions in the dance being made. Changing the title from Nothing is Outside to Tenacity of Space changed how we continued to work together.
Lighting Design: Tanja Rühl
Composition and Live-Electronics: Mattef Kuhlmey
Costume Design: Judith Adam
Tailoring and Costume-Making: Sophia Piepenbrock-Saitz
Assistant to the choreographer: Katharina Rost
Co-production: tanzhaus nrw, ADC-Association Danse Contemporaine Genève
Supported by the NPN Coproduction Fund for Dance, which is funded by the Federal Government Commissioner for Culture and the Media on the basis of a decision made by the German Bundestag.
Co-funded by the Creative Europe programme of the European Union as part of DANCE ON, PASS ON, DREAM ON
DANCE ON is an initiative by DIEHL+RITTER gUG funded by the German Federal Government Commissioner for Culture and the Media
Tenacity of Space will be presented as part of the Dance On Festival on Friday, March 2nd, 2018.